(Montreal, QC / October 26, 2018) — Pure Taboo is bringing the daily grind of robot sex work to life in the latest episode of the Future Darkly series, ‘The Love Hotel’, out now exclusively at PureTaboo.com.
In the not-so-distant future, a beautiful, eerily lifelike android named #30562 (Emily Willis) begins her shift at the Hotel, and viewers follow her work day as she bathes and views her schedule on a holographic virtual touch screen.
“Thank you, your tokens have been accepted,” intones an overhead voice as #30562 accepts payment on her returning clients, which include Steve Holmes, Charles Dera and Penny Pax in three separate scenes.
Written by Bree Mills and directed by Mills and Craven Moorehead, ‘The Love Hotel’ offers a glimpse of “self-destructing robots in a sophisticated, futuristic version of the sex robot brothels that are opening around the world. When you’re watching this episode it feels so far away and advanced, but actually, we are already here.”
The trailer and full feature are available at Puretaboo.com/Future-Darkly-The-Love-Hotel The first four installments of the Future Darkly series, ARTIFAMILY, The White Room, Don’t Panic! and Smart House of Horrors are available now at PureTaboo.com.
Go to PureTaboo.com’s official cast page to find out more about ‘The Love Hotel’ stars Emily Willis and Penny Pax.
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ABOUT PURE TABOO:
Launched in September 2017, PureTaboo is the latest studio operated by the Gamma Films Group, the production arm of adult company Gamma Entertainment. Helmed by XBIZ and AVN award-winning director Bree Mills and promoting the tagline ‘Some taboos are meant to be broken’, PureTaboo features the most popular and up-and-coming faces in adult today, challenging themselves to bring acting and sexual performances in a way viewers have never seen before.
Mills and the PureTaboo team are committed to taking taboo porn seriously, with storylines tackling society’s accepted – but most intriguing – sexual circumstances: inappropriate family relations, compulsions, teen virgin, sexual perversions and the hidden corners of the viewer’s psyche.
“We hope to leave you equally shocked and aroused,” says Mills. “After all, aren’t some taboos meant to be broken?”
